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Stories about O from the JamaicansMusic archive, oldest first · 1962–1969
1962
Music‘Hurricane Hattie’: James Chambers Becomes Jimmy Cliff and Leslie Kong Gets His First No. 1, 1962
A Somerton teenager who renames himself after the cliffs he wants to climb walks into Beverley’s with a ballad too slow for the charts. Derrick Morgan sends him back with a ska warning named for the 1961 storm — and Leslie Kong’s label has its first monster hit.
MusicThe Maytals Take Shape in Kingston: Toots Hibbert, Raleigh Gordon and Jerry Matthias Form a Vocal Trio, 1962
Frederick ‘Toots’ Hibbert leaves May Pen for Trench Town, meets Henry ‘Raleigh’ Gordon and Jerry Matthias, and puts together the harmony group that will carry his voice from ska through rocksteady into reggae. First called the Vikings, then the Maytals — a name borrowed in part from his home town.
1963
1964
1968
MusicFrom Chocomo Lawn to Brentford Road: Dennis Brown at Clement ‘Coxsone’ Dodd’s Studio One, 1968–1970
A nine-year-old who sang atop beer crates with Byron Lee and the Dragonaires follows the same path as Bob Marley to Studio One on Brentford Road. By twelve, Dennis Brown is cutting sides for Clement ‘Coxsone’ Dodd — the sessions that would yield No Man Is an Island and If I Follow My Heart.
Music‘Do the Reggay’: Toots Hibbert Gives the Music Its Name, 1968
After ‘54-46 That’s My Number’ puts the Maytals in Kingston’s top rank, Toots Hibbert records a dance-craze single whose title compresses ‘streggae’ into ‘reggay’ — and, in his telling, coins the word that will name an entire genre.
1969
MusicChild Prodigy: Dennis Brown’s ‘No Man Is an Island’ Breaks Through, 1969
At eleven, Dennis Brown scores his first hit with a cover of the Van Dykes’ ‘No Man Is an Island.’ Recorded at Studio One when he is twelve or thirteen, the song and its parent album announce a voice Jamaica will never tire of hearing.
Music‘Monkey Man’: The Maytals Break Abroad and Leslie Kong Delivers Their First UK Chart Single, 1969
Produced by Leslie Kong on Beverley’s, ‘Monkey Man’ turns a lover’s warning into one of the Maytals’ defining hits — and their first real signal outside Jamaica, scraping the lower reaches of the British charts and setting up a decade of covers.
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